“Cheapfake” movies
Washington recently asked about artificial intelligence, “They change my voice or whatever they do, change their voice, sound their voices to look like me, and people are commenting on it like me, and that’s not me.” “I don’t have an Instagram account. I don’t have tiktok. I don’t have any of these. So everything you hear from it – not even me, and unfortunately people are just following, and this is the world where you live.”
For Clark, dialogue videos are attractive to stimulate moral anger-allowing audiences to become more easily involved with inaccurate information. “If you want to make a candidate, it’s a big feeling,” he says. He explains that if events are not realistic or not even clearly stated as “produced”, if the characters involved may reasonably do so (at least in their viewers’ minds). In another scenario. YouTube’s own ecosystem also inevitably plays a role. Given that many viewers consume their content passively when driving, cleaning, even sleeping, the content produced by AI no longer need to look polished when combining in a stream of passive information.
Reality Defender, a company that specializes in Deepfakes, reviewed some films. “We can share that some of our family members and friends (especially from the elderly) have encountered movies like these, and although they are not completely convinced, they (know that we are experts) for credit, as they were in the western,” Says.
Wired also reached several channels for comment. Only one creator, the owner of a channel with 43,000 subscribers, responded.
They say, “I just create fiction interviews, and I clearly mention in each video description.” “I have chosen a story interview because it allows me to combine storytelling, creativity and touch of realism in a unique way,” he said. “The scenario that feels impressive, intense or even surprising, while it is still quite a story.”
But when it comes to the potential motivation of the channels, most of them are based outside the United States, neither a strict political program nor a sudden job axis for comprehensive storytelling acts as a sufficient explanation. The channel, with an email that uses the term “EdningMafia”, yet refers to more explicit financial goals, just as the repetitive nature of the channels – by seeing evidence of duplicate films, and several channels run by the same creators, including some sister channels.
This is surprising, despite content farms more than ever, especially those targeting vulnerable, they are now producing themselves on YouTube along with increasing artificial intelligence. Throughout the board, the creators of controversial subjects, such as television characters, choose children in danger, even the trial of their Cambodian sex trafficking, to produce as much interaction and income as much as possible.
